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In the end, it feels a long way off from its beginnings. The initial suspect is swiftly disposed of once he can't be used to mislead the audience and the conclusion to the movie borders on the ridiculous. Ally walker's character is claustrophobic in sewers big enough to drive a car through, but not in a locked basement or mental wardroom? Why is the boy even locked away like a prisoner? Why has it taken the discovery of several child victim body parts for the police to take proper notice of several missing children? The story comes across as ill-thought-out and scatty. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didnt do or what they didnt know. Also, the casting of the boy is an unnecessary distraction so easily avoided. There's far too much time spent with this boy and this is where the story falls down. Everyone just seems to be standing around doing nothing while the new hotshot investigator plays mum to a young boy in a mental ward.

Martin Sheen is relegated to a side note after about 20 minutes and Ron Perlman is only just in the movie. The screenplay concerns a woman who begins to develop a deadly crush on the husband of the couple she is surrogate mothering for. The movie quickly shifts its focus onto Ally Walker's character, which would be fine if it wasn't at the expense of everyone else.

A cheap knockoff of Silence of the Lambs with nowhere near the depravity, horror, or intrigue it hopes to emulate.

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